WOLFSTÆDTER: Thomas Kilpper – Günter Sare

December 7, 2013 – February 16, 2014

Exhibition opening: December 6, 2013 7pm
Duration of exhibition: December 7, 2013 – February 16, 2014
Opening hours: Wed – Fri 2 – 6 pm, Sat 1 – 4 pm

The work GÜNTER SARE refers to a violent police operation in Frankfurt in 1985 against an anti-fascist demonstration. During the police operation Günter Sare was hit by a water cannon and fatally injured. The demonstration was directed against an event of the NPD in the Bürgerhaus Gallus in the year before the so-called Auschwitz trial took place. The worn out tires of a water cannon of the Frankfurt police were now used as a printing block…

Rotlintstrasse 98
60389 Frankfurt  
Tel: ++49 163 6329817


June 20 – August 25, 2013

Inauguration: 19. June 19, 2013, 6pm

Duration of Installation:
June 20 – August 25, 2013

MEGAfon is a reference to the place and its eventful history of political demonstrations from the Weimar Republic to the time of the fall of the Wall. In this tradition, the sculpture may and should be used by everyone in the sense of a Speakers’ Corner.

To speak clearly and loudly through the MEGAfon requires courage, determination and physical effort, as the sculpture does not require an electronic amplifier. Its resonance body has little amplifying effect, but the voice is slightly alienating.

MEGAfon raises the question of who has their say in our society, who makes themselves heard. In the hundredth year since the Volksbühne was established, it has been a stage and platform for the people, for those who want to express themselves publicly, for self-styled performers as well as for the public.
for politically active people.

with the support of
Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V
Stiftung Kunstfonds Bonn
Bezirkskulturfonds des Bezirksamts Berlin Mitte

MEGA fon Performances
As part of Thomas Kilpper’s MEGAfon project, we would like to cordially invite you to the first three performances at Rosa-Luxemburg-Platz. Please note the different starting times.

Sunday, August 11, 1pm
Artur van Balen: “The Internationale” goes international.
By singing the “Internationale” in different languages, Artur van Balen refers to an important aspect of the history of Rosa Luxemburg Square and the labour movement.

Tuesday, August 13, 9 pm
Katja von Helldorff: cosas raras – para Rosa Luxembourg
In the series “cosas raras” (“weird stuff”) this #3: a 15 minute poetic speech on bricks, time and love, is dedicated to Rosa Luxemburg.

Thursday, August 15, 8.30 pm
Kerstin Cmelka featuring Daniel Laufer: Nora
Microdrama by Kerstin Cmelka featuring Daniel Laufer. Text: Henrik Ibsen, “Nora. Ein Puppenheim”, 3rd act, last scene.
“Nora. Ein Puppenheim” was written in 1879 and premiered in Copenhagen, 1880 in the first German versions in Hamburg and
Munich and in 1890 was included in the programme of the opening year of the “Freie Volksbühne Berlin”.

Saturday, August 17, 4-8 pm,
10-minute reading rehearsals.
Achim Lengerer: Rehearsals for Peter Weiss
19 January 1970, Schauspielhaus Düsseldorf: After tumultuous scenes the public dress rehearsal of the play “Trotsky in Exile” by Peter Weiss has to be stopped after the first act. Two dozen demonstrators storm onto the stage and make a racket. The ensemble, spontaneously formed from all ranks of the audience, introduces the performance “Trotsky in Exile” with a dance.
Stephan Geene: solemn renunciation of megafonal. forever or at least now
10:00 p.m. Stephan Geene interprets the megaphone.

Sunday, August 18, 3.30 pm
Christel Gbaguidi:La Republique en Fuite/The Refugee Republic
“The Refugee Republic” is a process-oriented and pedagogical cooperation with so-called “immigrants and refugees”.
As part of the implementation of the northern phase of the project: “MIGRATION AND ICH Part 3: Over the Bridges of the Arts to a Common Homeland Earth”, some residents of the protest camp at Oranienplatz, Berlin, took the opportunity in workshops from March to June 2013 to speak for themselves and tell their own stories, anecdotes, statements about their emigration or flight, their paths to Germany, their experiences as refugees, living together with the other people with whom they share the same refugee life and space.”The Refugee Republic” invites the people of this globalised world to reflect on the concepts of “identity” and “illegality” and at the same time opens up a space of exchange between players and spectators on the subject of migration.

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